His father and grandfather also served in the army but his mother wanted him never to join the army. Samar goes back to India and joins the army. She falls in love with him despite already being engaged.īut Meera, who is oddly superstitious then voluntarily, abandons Samar after he meets with an accident because she promises to not meet him if his life is spared. Samar Anand (Shah Rukh Khan) is an Indian immigrant working odd jobs to make ends meet rich girl Meera Thapar (Katrina Kaif). The film is a love story spanning a decade. It is the best romantic film made in this generation.Overseas Collection ₹ 67.90 Cr India Gross Collection ₹ 167.80 Cr JTHJ is the perfect adieu to a hallmark career. Anushka lightens JTHJ with energy, while Katrina anchors it with firm emotions.Īt a gracious 3 hours runtime, JTHJ feels like an epic love story. Her underplay is the perfect contrast to Anushka’s lively and bubbly act. That she looks stunning is a given, but she manages to give one of her career’s finest performances as Meera. Especially effective are his scenes as the reserved army officer.
Shah Rukh Khan makes a stunning entry, he owns the screen space and he weaves his charisma into a net that holds JTHJ together. It complements the actors’ performances perfectly. AR Rahman’s music and background score adds a touch of magic to the proceedings. (Save for a handful of amateurish make-up instances during the early London sequences).īut JTHJ is so much more than its flawless visual appeal. Shah Rukh Khan even in his grungy avatar as the army man lends to the authenticity of his part. Katrina Kaif and Anushka Sharma steal the thunder from the landscapes of Kashmir, Ladakh and England. That the actors look as beautiful as the exotic locations they’re in is a trademark feature of Yash Chopra’s films. The film says destiny and time can be the most important factors in a love saga. And then there’s the core philosophy of faith and time that sets JTHJ apart from Bollywood’s regular fare of romances. Instead they say it casually and in underplayed tones. You don’t have characters being theatrical in expressing love. On the subject of writing, one of JTHJ’s commendable features is its real and uncomplicated dialogue. And some master class writing where the same-old same-old “yadaash kho jaana” is crafted in the form of retrograde amnesia. Instead you get a mature sense of camaraderie between the characters.
You don’t have melodramatic and unreal sacrifices or two women competing to woo their man. Yes the structure of the story seems like a run-of-the-mill love triangle but there’s more to their dilemma than just the obvious. But of course she’s alive and happening because she loves him.
Akira’s daredevil personality and spirit impresses Samar. SRK’s forced to move to India where he runs into the boisterous Akira. And just when you think the film’s running into the oh-we’ve-seen-that-before territory a twist separates the lovers. Samar helps Meera get over her pent up anxieties and in the process they fall in love. He runs into the ravishing Meera who entrusts all her faith in Jesus. The film starts off in London where Samar is a desi lad desperate to earn an honest living in a foreign land. And as fate puts it, he comes across two women who love him equally. The King of romance lives up to his epithet. But the sum of it is an old school love story that weaves its magic on the tender hearts of die-hard romantics. Like any piece of commercial cinema, it has its cinematic liberties and plot holes. Jab Tak Hai Jaan (JTHJ) is Yash Chopra’s last film as director and it’s a film rich in philosophy, poetic love and honest emotions.
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Some people really know how to make a film.
Words will not do justice to the swan song of a great filmmaker, but one has to try. Cast: Shah Rukh Khan, Katrina Kaif, Anushka Sharma, Anupam Kher, Rishi Kapoor and Neetu Kapoor
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